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Albrecht Altdorfer
German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.

 

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Albrecht Altdorfer Entombment oil painting

Painting ID::  2286

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Albrecht Altdorfer
Entombment
1518 Art History Museum, Vienna
   
   
     

 

 

Albrecht Altdorfer Resurrection oil painting

Painting ID::  2287

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Albrecht Altdorfer
Resurrection
1518 Art History Museum, Vienna
   
   
     

 

 

Albrecht Altdorfer Allegory oil painting

Painting ID::  2288

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Albrecht Altdorfer
Allegory
1531
   
   
     

 

 

Albrecht Altdorfer Portrait of a Lady oil painting

Painting ID::  2289

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Albrecht Altdorfer
Portrait of a Lady

   
   
     

 

 

Albrecht Altdorfer View of the Danube Valley near Regensburg oil painting

Painting ID::  2290

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Albrecht Altdorfer
View of the Danube Valley near Regensburg
1520-25
   
   
     

 

 

Albrecht Altdorfer The Departure of Saint Florian oil painting

Painting ID::  2291

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Albrecht Altdorfer
The Departure of Saint Florian
1520 Galleria degli Uffizi, Florence
   
   
     

 

 

Albrecht Altdorfer The Martyrdom of Saint Florian oil painting

Painting ID::  2292

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Albrecht Altdorfer
The Martyrdom of Saint Florian
1520 Galleria degli Uffizi, Florence
   
   
     

 

 

Albrecht Altdorfer The Birth of the Virgin oil painting

Painting ID::  2294

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Albrecht Altdorfer
The Birth of the Virgin
1525 Pinakothek, Munich
   
   
     

 

 

Albrecht Altdorfer The Battle of Alexander oil painting

Painting ID::  2295

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Albrecht Altdorfer
The Battle of Alexander
1529 158.4 x 120.3 cm Pinakothek, Munich
   
   
     

 

 

Albrecht Altdorfer Christ Taking Leave of His Mother oil painting

Painting ID::  2296

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Albrecht Altdorfer
Christ Taking Leave of His Mother
1520
   
   
     

 

 

Albrecht Altdorfer The Agony in the Garden (mk08) oil painting

Painting ID::  21370

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Albrecht Altdorfer
The Agony in the Garden (mk08)
c.1515 Oil on wood,128x95cm St Florian,Augustiner-Chorherrenstift
   
   
     

 

 

Albrecht Altdorfer Susanna at her Bath and The Stoning of the Old Men (mk08) oil painting

Painting ID::  21371

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Albrecht Altdorfer
Susanna at her Bath and The Stoning of the Old Men (mk08)
1526 Oil on wood 74.8x61.2cm Munich,Bayerische Staatsgemaldesammlun-gen, Alte Pinkothek
   
   
     

 

 

Albrecht Altdorfer Alexander's Victory (mk08) oil painting

Painting ID::  21372

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Albrecht Altdorfer
Alexander's Victory (mk08)
1529 Oil tempera on wood 158.4x120.3cm Munich,Bayerisch Staatsgemaldesammlungen, Alte Pinakothek
   
   
     

 

 

Albrecht Altdorfer The Martydom of St.Florian oil painting

Painting ID::  29931

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Albrecht Altdorfer
The Martydom of St.Florian
mk67 Oil on panel 30 1/16x26 /16in Uffizi,Gallery
   
   
     

 

 

Albrecht Altdorfer The Departure of St.Florian oil painting

Painting ID::  29932

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Albrecht Altdorfer
The Departure of St.Florian
mk67 Oil on panel 31 7/8x26 3/8in Uffizi,Gallery
   
   
     

 

 

Albrecht Altdorfer The Battle of Issus oil painting

Painting ID::  30230

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Albrecht Altdorfer
The Battle of Issus
nn05 1529 The Battle to end all battles
   
   
     

 

 

Albrecht Altdorfer Details of The Battle of Issus oil painting

Painting ID::  30232

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Albrecht Altdorfer
Details of The Battle of Issus
nn05 Women on the battlefield
   
   
     

 

 

Albrecht Altdorfer Details of The Battle of Issus oil painting

Painting ID::  30233

X 
 

Albrecht Altdorfer
Details of The Battle of Issus
nn05 Painting in the age of discovery
   
   
     

 

 

Albrecht Altdorfer Details of The Battle of Issus oil painting

Painting ID::  30234

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Albrecht Altdorfer
Details of The Battle of Issus
nn05 Heroes replace saints
   
   
     

 

 

Albrecht Altdorfer Details of The Battle of Issus oil painting

Painting ID::  30235

X 
 

Albrecht Altdorfer
Details of The Battle of Issus
nn05 The end of the world is nigh
   
   
     

 

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Albrecht Altdorfer
German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.